Archive for the ‘Pre Columbian ceramics’ Category

The Hit Parade #8: Tourist Pottery from San Juan de Oriente, Nicaragua

March 8, 2015

Adventures in cross-cultural sampling.

San Juan de Oriente Alan Gallegos was a dear friend.  He came from the village of San Juan de Oriente, Nicaragua, known for it’s many “Pre-Columbian” style potters.  I worked with Alan during my time in Nicaragua with Potters for Peace (PFP).  The burnished, slab molded, 6″d. plate shown  here is from San Juan de Oriente.  But it isn’t Alan’s.   Sadly, I don’t own any of his work.

Alan was large, gentle, and quiet.  He was an extremely talented potter, and a valued member of PFP’s team.  One day Alan’s body was discovered along a roadside.  Did he accidentally fall off a truck while hitch hiking?  Was he robbed and killed?  Nobody knows.

I had left Nicaragua before Alan’s death.  The town I was living in just became a Sister City to a community of repatriated refugees in El Salvador, from that country’s civil war.  Many Salvadorans had fled to Nicaragua during the war.  I knew a group of those refugees who lived next to a PFP pottery project.  Kids from this little group painted the pottery’s seconds to sell for extra cash.  Ironically, their new community was my town’s Sister City.

So there I was, struggling to work on an Empty Bowls fund raiser for the Sister City effort.  That night, after hearing of Alan’ death, I began decorating: a jagged border around the rims (Central America’s many volcanoes) above five panels (the five original Central American countries) blocked out by vertical rows of circles (the Mayan counting system).  Each panel contained a pre-Columbian phoenix.

The thought of using pre-Columbian designs in my own work always felt problematic (due largely to Central America’s history and my European ancestry).  But I had the distinct feeling Alan was beside me as I worked.  I wouldn’t have blinked if he reached over, picked up a bowl, and began talking.

Something then occurred to me that I hadn’t thought about for ages.  Years earlier I apprenticed to Richard Bresnahan, who told me he felt he was communicating with ancient potters of southern Japan (where he had done his own apprenticeship) whenever he applied Japanese-style “mishima” inlay to his pots.  “Neat idea,” I thought at the time, before getting on with the day…

Cultural ‘mining’ can leave a long, painful trail.  Communication that transcends that tale requires healthy doses of respect and empathy.  Now I know how powerful this communication can be.

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Mayan Lily Problems

July 4, 2014

Specialists are like librarians.  They know everything.  At least they handle information well.  The rest of us can only keep our eyes open and hope for the best.  Mayan Drinking Cup

Example: a visit to the Library of Congress in Washington DC.  The LOC’s small collection of pottery in their  “Exploring the Early Americas” exhibit included an 8” straight sided vessel from the Guatemalan lowland Maya circa 600 ad.  This slab-made earthenware pot has a base coat of burnished white slip.  A black swath runs at an angle up the side, encompassing two lilies daubed in red.  The swath ends near the top below an encircling inscription, or “primary standard sequence glyph band.”  The rim is also banded in black.

European fleur-de-lis, symbol of royal prerogative, closely echo the ancient flowers depicted on this pot.  Did Mayan lilies also imply noble aspirations?  Lilies regularly appeared on lowland Mayan pottery.  And much surviving Mayan pottery suggests commemorative usage, particularly suitable for the high-born who could afford such niceties.  But nobody knows what – if anything – lilies represented.

The ‘glyph band’ inscription says the pot was a drinking cup.  While the inscription is also a dedication, it oddly names no specific individual or event.  Maybe the cup was just something a typical Mayan ‘chicha bar’ kept on hand for whatever toast a drunken patron might shout out.  Or perhaps was it a generic ‘gift’ mug, somewhat like a blank greeting card.  Or a tourist-trade item for folks visiting the big city.

Several other Mayan pots in the exhibit had clear but totally meaningless glyphs.  They seemed to offer just the ‘idea’ of writing.  Why?  So illiterate customers could feel a little more highbrow?  Could the potter then charge more, explaining a deeper meaning?  Did the potter also not understand what glyphs meant?

In this context the lily cup  reminds me of certain modern marketing practices.  I’m not sure how to feel about that notion.  Is it a comforting example of how the more things change the more they stay the same?  Is it ironic?  Or is it somehow just disappointing?

The First Pot Made in America

May 27, 2009

A story circulates about how pottery began: “Once upon a time a caveman coated reed baskets with clay.  When the baskets no longer served he threw them away.  Some baskets landed in the fire.  When the reeds burned off the fired clay remained.  Seeing the hardness of the fired clay, the caveman got an idea…”

An entertaining image.  But pottery’s historical beginnings are far more complex, and more fascinating.  Pottery “began” in different places at different times for a different reason in each locale.  In the America’s, evidence points to a surprising birth (or at least ‘first’) place: the Brazilian Rain Forest.  Over 7,500 years ago, people of the Mina culture were making small bowl shapes resembling the later “tecomate” or cooking dish.  Some of these first pots are plain, others are elaborately incised.  Even at this early date the Mina people knew to temper their clay with sand or ground shells to improve thermal shock.  In fact none of the excavations done so far have dug down to the earliest inhabited layers.

Who were these people and what were they doing?  Nobody can say.  Later inhabitants of the area seemed to use similar bowls to create intoxicating brews for ceremonial and trade reasons. 

Recognizing these people’s accomplishments might not assist in marketing wares today (unless you’re into intoxicating brews).  But I believe that any attempt to understand the family tree to which we as potters and as humans belong leads to an intrinsic benefit: Respect for our craft and our family.

Readings:

The Emergence of Pottery.  Technology and Innovation in Ancient Societies. Barnett and Hoopes, ed.s.  Smithsonian Institution Press, Washington D.C. 1995.

1491.  New Revelations of the Americas Before Columbus. Charles C. Mann.  Knopf/New York.  2005.