You arrive after a nine hour drive. Your spot is half taken over by another vendor, unwittingly moved there by promoters with too much going on to know better. Your new spot puts you right where the wind hits hardest and the sun blasts down on you all day. The promoters schedule all sorts of musicians, games and other “family friendly” activities to make the show “more attractive.” This strategy works: parents flock to the show looking only to cheaply entertain their kids. The few actual buyers are equally distracted by all the fun…
Anyone who scratches out a living selling pots at craft fairs can tell this story. Booth fees, hotel expenses, gas, food, several days away from the shop. And for what?
Selling pots was a different game in the early 18th century. Peddlers strapped wooden boxes full of pots on their backs and walked from town to town until everything was sold. Rain or shine. In England, both makers and buyers had a name for these particular peddlers. “Potters” of course. It was an excruciatingly limited career. English “potters” disappeared with the rise of toll roads, canals and trains.
But those days aren’t really past. Women potters in rural Central America still do this. They balance pots atop their heads and set out on foot to the nearest market town, often several hours away. Once there they walk the streets hoping to sell. They can’t be out too late or the walk home will be in the dark. Very dangerous. They’re exhausted, with many pots often unsold. Just then “middle men” in trucks appear out of nowhere. They offer pennies for the unsold pots. Everybody knows these guys will drive to much better market areas and make far greater profits. But what choice is there?
The daughters of these potters see how hard the work is. How dirty it is. How little pay there is. Various “free trade” agreements flood market towns (their life blood) with cheap plastic stuff from China. It’s no surprise that pottery, once a defining aspect of the local culture, is rapidly fading. The loss is staggering.
…Back at that silly “family friendly” show, one ponders the arc of progress over the course of years and miles.
Reading:
The Rise of the Staffordshire Potteries. John Thomas. Augustus Kelly Publishers/New York. 1971.
The English Country Pottery, Its History and Techniques. Peter Brears. Charles Tuttle Co./Rutland, VT. 1971.