Everybody likes to look at pictures. Especially when the topic is pottery. So when writing about pottery, a sure way to bore readers is to omit pictures of pots. Perhaps it’s just difficult for some potters to know what’s going on in the story without a picture every now and then to help them out…
Pictures of broken shards probably don’t count. Even though quite often more of the ‘big picture’ can be learned about a type, technique or trajectory of development than by looking at just the whole thing.
So what about plain unglazed cylinders? No bottoms, no tops, just plain, straight sided cylinders. Pretty boring stuff. But taking a step back to look at the bigger picture can be instructive. And hopefully, not always boring.
Some Redware potters, like Hervey Brooks of Goshen CT, kept various sized cylinders about the shop. On hearing of these, my fist thought was trimming chucks. But Hervey didn’t trim his pots.
One day it hit me – put a cylinder on a table, fill with a material and scoot into a bucket or quern (grinding stone basin). Seven times for lead, once for “loam,” (clay). Maybe add a little copper or manganese for extra color (or maybe pigs blood, but that’s another story). An ingenious way to measure out glaze materials.
Works every time. Hmm.
Ps. For those who need pictures, here’s a couple cylinders I keep around my shop. But these actually are trimming chucks.
Readings:
Hervey Brooks, Connecticut Farmer-Potter; A Study of Earthenware from His Blotters, 1822-1860. Paul Lynn. State University of New York College at Oneonta/New York. 1969.
Lead Glazed Pottery. Edward Atlee Barber. Museum of Philadelphia/Philadelphia. 1907.
Tags: central nervous system, copper, Hervey Brooks, lead glazes, manganese, pottery, Redware, shards, trimming chucks
December 11, 2011 at 2:12 pm |
Brilliant! But what about pigs blood?
January 10, 2012 at 6:17 pm |
Michael,
Thanks so much for your interest in all this. I hope the latest issue sheds some light.
January 8, 2012 at 2:15 pm |
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