John Spargo was a big fan of the Nortons. The Norton family of Bennington VT, was a powerhouse pottery dynasty from 1793 to almost to the end of the 19th century. They initiated or excelled in virtually everything being made at the time; Redware (at first), Rockingham, Yellow ware, Sponge ware, Parian sculptures, Flint Enamel, Agate (“Scroddled”) ware, Granite ware, Porcelain, and of course, that quintessential American classic: salt-fired cobalt slipped stoneware crocks. Begun at the foot of a mountain named after Susan B. Antony’s family, the Nortons were one of a very few American pottery firms to successfully compete with the post-Revolutionary War British pottery invasion. Bennington was even for a time called “The Staffordshire of America.”
Only the first few generations of Nortons were actual potters, though. Captain John Norton, his son Luman, and Luman’s son Julius. Most of the rest were content being local Brahmins, sitting atop the wealth created by their pottery making progenitors. Except Edward, who tried to revive the then flagging pottery in the late 1880’s. But he died young. From then till today, the Norton name became affixed to their refractories and abrasives businesses.
Anyway, John Spargo was a Marxist agitator turned pottery collector (really). He wrote several books early in the 20th century about American ceramics. His “The Potters and Potteries of Bennington” is a landmark text. It’s also a hagiography. A paean to the Norton family. The book is peppered with glowing accounts of the Nortons by their friends and neighbors. The Nortons were gregarious, true enough. They regularly strolled through the pottery, top hat in hand, chatting with the workers.
Luman, the second of the line, wasn’t as gifted as his father or his son. But he put the Pottery on a solid footing. So what a scandal when somebody burned down his barn in 1812! Shortly after, someone tried to burn the rebuilt barn. Luman posted night guards to protect it. This was the very eve of the War of 1812. A tense time. Sitting under the stars, I wonder what the guards talked about. Soon armies would rage across their countryside, possibly directly into their homes…
Luman Norton was, according to Spargo, well liked and well respected. How ironic, then, that the arsonist wasn’t a British agent or an interloper from any number of rival potteries. It was one of the trusted boys guarding his barn.
There must be a story here.
Readings:
The Potters and Potteries of Bennington. John Spargo. Cracker Barrel Press/Southampton, NY. 1926.
Early American Pottery and China. John Spargo. The Century Co./NY. 1926.
Early New England Potters and Their Wares. Lura Woodside Watkins. Harvard Univ Press/Cambridge MA. 1968.
The Jug and Related Stoneware of Bennington. Cornelius Osgood. Charles Tuttle Co./Rutland, VT. 1971.
The Art of the Potter. Diana and J. Garrison Stradling. Main Street-Universe Books/New York. 1977.
Tags: Agate ware, Bennington, Flint Enamel, Granite ware, John Spargo, Norton Pottery, Parian sculpture, Porcelain, Redware, Rockingham, salt fired stoneware, Sponge ware, War of 1812, yellow ware
October 25, 2009 at 11:50 pm |
[…] See the rest here: Luman Norton's Barn « This Day in Pottery History […]
January 11, 2010 at 11:23 am |
Luman Norton’s Barn .Thanks for nice post.I added to my twitter.
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